Home > Red Spiral Notebook > [January, 1995] Like The Breakfast Club

[January, 1995] Like The Breakfast Club

[The following journal entries are sponsored by great big globs of disdain.]


“This is the first day of my last days” – NIN

Roller coaster is beginning its slow descent. At least I might be able to write something decent again. The writing activity helped a little. Actual interesting ideas would help more. Maybe one brilliant line that just sparks an entire story. The first day of Creative Writing we just wrote anything that came into my head and the first thing I put on the paper (which turned out to be a quote) ended up being the opening sentence for Raphaela

Here I am in Physiology watching a ridiculous film on muscle. I can barely see this as I’m writing.

Had a dream with Wonderfully Random, don’t care. There was a round candle lit and I was looking through a couple of CD’s (that were Anita’s friends’ or something) one of which was an old Lemonheads, one of which was an old Killing Joke CD. On the way back to WR’s house we mentioned the amazing way in which the radio switched on.

The mood I’m in now would have been the perfect time to write a letter to Tim, but I already mailed it.

H.S. is so much like “The Breakfast Club” it makes me sick.

Keeping this log is not helping me at all. I hope Ms. Donaldson reads this. 



[note from Ms. Donaldson in green pen: “This is pretty hard to miss. Perhaps you need to alter your expectations of what you should get out of writing a journal.”]

I stopped keeping a diary for a reason, I hardly ever wrote about nice things. For the most part, it was a depressing read. There are some things I’m glad I wrote about, like events that I want to remember.

Right now I’m listening to “Just Like Heaven,” I never realized that the Cure could in any way be uplifting. Just ordered Disintegration from Columbia House (nasty scam artists). This will have to be my last entry now, seeing that I’m sitting outside of Creative Writing.

“’I wanna be just like you. I figure all I need is a lobotomy and some tights.’” – The Breakfast Club

Writer’s block is the worst. You can try to discipline yourself as best as you can as a writer (never something I did effectively) but if the ideas aren’t there you just can’t force it. When inspiration struck, I could spend hours lost in putting words to paper/word processor (it would be a few years before I got another computer). When it wasn’t there, I endured a limbo fraught with frustration and insecurity that I wasn’t cut out to be a “real” writer. I still get that way today.

Social divisions in school were getting to me, which meant I probably had a crush on a popular boy. Again. The fact that I can’t remember who it was today could only mean he wasn’t that special or worth all the agonizing I did over him, but really, how many unrequited crushes really are? My depressed penpal Tim was another crush, even though I knew he was too gloomy for me.

As I mentioned before, the headline for my high school experience was John Hughes Lied to Me. While the films accurately portrayed high school to an extent — especially the cliques represented in The Breakfast Club — I was growing more dubious that an 80’s magical makeover and/or happy ending was in store for me. I had given up on popularity and tried to take ownership of my misfit-but-not-quite status and develop my own identity. Which would have been easier if I was able to channel continuously channel all that teen discontent into creative outlets, but I was being failed on that front. I had nothing new to articulate, and the journal we had to keep for Creative Writing wasn’t providing any comfort or catharsis.

Ms. Donaldson had a good point. My expectations for the journal were unrealistic, much like my expectations for lots of other things (love and life, to name two). I thought the log would be some magical source of insta-inspiration, but it often became a chore to fill those lined pages. Much like writing of any form can feel like a chore. It didn’t dawn on me just how much discipline — and even tedium — was involved in being a good writer. It’s something I still struggle with.

Luckily, I was still expanding my pool of musical muses, with the Cure, patron saints to angsty teens everywhere, entering into the rotation. Nine Inch Nails was my gateway drug into goth/alternative music, but the Cure was another catalyst. Robert Smith provided a musical prism of bipolar despair and a catalog a less agressive than Trent Reznor’s, but more nuanced in its emotion. It was still taking me some time to adopt the classics, but slow and steady I was getting there.

And a film on muscle? 17 years later and that still sounds ridiculous to me.

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